So far, so good with You. It has a Dexter feel. You find yourself rooting for Joe, despite his deeply troubling behavior. He is a great guy in some ways and a horrible criminal in others. Lots of modern day stalking going on using smartphones and computers plus just good ol' fashioned regular creeping around. It's disturbing, sexy and fun all rolled into one. Enjoy! 8/10 stars....
Very interesting TV show about relationship and obsession. Show is quite interesting and acting is decent. Really binged on it. Characters are also well developed....
I am writing this review because I don’t see any point to this show whatsoever, and everyone here seems to be gushing over it. I’ve made it through the entire first season and there are no redeeming qualities to speak of. None of the characters face even the tiniest of consequences for any of their severely implausible actions. The solution to every problem that arises is “well I will just murder them” which, in terms of the writing is a complete cop out. In order to accept Joe’s actions, you ha...
I'm just deducting one star because vomit in every single episode seems to be a thing, common, people snack and watch TV, no need to see vomit in every episode. Other than that, interesting though totally unrealistic show. And you end up feeling sorry for Joe/Will, it's not that he's having bad luck, rather no luck at all......
This show is insanely good! I have been a fan since the first season and I must admit how insanely good Penn Badgley is good at his role as Joe Goldberg, it is like he does not need to act. He plays it very perfectly without any flaws; he never misses. But what caught my attention in Season 3, when it comes to acting, is the amazing Victoria Pedretti as Love Quinn, she totally stole the show! Seriously, if you want a show that has your heart racing and filled with "What the hell?" moments, t...
A glib and under-rating description would be "Dexter" meets "Shades of Grey" and Jane Austen. This dramedy combines the worst attributes of "Pop TV" - beautiful people, cliché dialog, white people's problems - with deep and troubling questions about the cultural variables of murder taboo, attraction, nuclear family, literacy, and 'romance'. The educated and skilled characters are all broken in different ways - the authoritarian Mr. Mooney, the mother looking for Mr. Goodbar, the 'New Age' ca...
